Setting stream configuration options When choosing your Bit Rate, your most important consideration is the outbound bandwidth of your connection, which you should measure well before the event. FMLE deinterlaces by using a simple blur filter, so you're much better off working with progressive source if you can. On the bottom of the screen, note the Deinterlace and Timecode options as well as cropping. The Input Size has to match the actual input of your video otherwise you'll lose the preview and the incoming stream. I typically stream at full frame rate, though if I'm working with constrained outbound bandwidth, I may drop to 15 frames per second (fps). Fine tuning the H.264 encoding controls Now let's choose our stream configuration options (Figure 7, below). I use that value when streaming multiple files, but use ten seconds when streaming a single file, as we are here. Most Adobe templates use a Keyframe Frequency of five seconds. Adobe defaults to the Baseline profile for all their templates, I would use that as well.

Start by choosing H.264 as your Format, then click the wrench next to the Format tab to open the Advanced Encoder Settings dialog shown in Figure 6 (below). Adobe templates provide a good starting point. For the purposes of this discussion, I'm going to assume that you'll manually configure your settings. Adobe supplies multiple templates for each format in the presets list box (Figure 5, below), which may provide a good starting point, but definitely should be customized as discussed below. Adobe Flash Media Encoder Aac Plugin Rating: 9,8/10 308 reviewsĬonfiguring Your Streams FMLE can stream in both VP6 and H.264 formats I think H.264 is the better choice at this point.

Adobe flash media encoder aac plugin